by Azuka Onwuka
When
I was leaving my home town in Nnewi in Anambra State for Lagos in
search of work, my parents and relatives sang it into my ear that I
should be wary of the Yoruba. I was told that some of our people who
worked in organisations had been eliminated diabolically by their Yoruba
colleagues out of jealousy. I was warned not to trust them because they
were “double-faced”. But, I have worked with Yoruba, and lived in their
houses: none poisoned me, none betrayed me. On the contrary, Yoruba
people have played very important roles in my life.
In my last few weeks at the University
of Nigeria, Nsukka, a friend of mine from Edo told me she was very sad
that since she had only a few weeks more to spend at Nsukka, it was
certain she would not be able to learn Igbo language anymore. When I
asked her why she did not learn the language all the four years she
spent at the university, she told me sincerely that before she left home
she had heard so many negative stories about the Igbo, and so came into
the university with a dislike, distrust and fear of the Igbo. She hated
everything about the Igbo, including their language, and never bothered
to learn it. It was only late in her final year, after she noticed that
her hosts were not as dangerous as she had been made to believe, that
she crawled out of her shell, began to make Igbo friends and frantically
wanted to learn Igbo.
Two of my friends — one Yoruba, the
other Tiv – told me that when they were sent to Igboland for their
one-year National Youth Service Corps scheme, their parents were sad
that they would be killed and eaten by Igbo people. Months later, when
they had wonderful stories to tell about the hospitality of their Igbo
hosts, their relatives found such stories hard to believe.
There is deep-seated mistrust among the
Nigerian ethnic groups, much of it baseless and unfounded. Each ethnic
group has stereotypical conception of the other. But in recent years,
rather than abate, such stereotypes have been accentuated by Nigerian
comedians.
The comedy industry has seen a boom in
recent years. No big event is complete in Lagos or Abuja (or any of the
major cities) without a comedian to make the audience laugh. Comedy has
provided employment for thousands of Nigerians directly or indirectly.
But while the provision of jobs and
entertainment are benefits of comedy, the ethnic jokes that seem to be
the major jokes of Nigerian comedians do widen the gulf among the ethnic
and religious groups and help to create or sustain stereotypes.
Granted, most of the stereotypes were not created by the comedians, but
they have been worsened in recent years, no thanks to our comedians.
To the Nigerian comedian, a Yoruba man
is always cowardly – he rants and boasts but flees once there is
trouble. It doesn’t matter that Yorubaland has been the headquarters of
political activism in Nigeria for several decades. It doesn’t matter
that whenever there is tyranny in Nigeria, the people that will march
through Ikorodu Road (Lagos) and gather in Yaba (Lagos) are Dr. Tai
Solarin, Chief Gani Fawehinmi, Prof. Wole Soyinka, Chief Abraham
Adesanya, Mr. Femi Falana, Dr. Beko Ransome-Kuti, Mr. Bamidele Aturu,
and others.
In the same vein, to the Nigerian
comedian, every Igbo man is an illiterate and a Shylock. To the Nigerian
comedian, Prof. Chinua Achebe, Dr. Alex Ekwueme, Dim Chukwuemeka
Odumuegwu-Ojukwu, Prof. Philip Emeagwali, Chief Emeka Anyaoku, Dr. Ngozi
Okonjo-Iweala, Mr. Olisa Agbakoba (SAN) and other professionals are
Nigerians, not Igbo men and women. It doesn’t also matter that according
to the Joint Admissions Matriculation Board statistics, since 1991 when
Nigeria became 30 states, Imo, Anambra and Delta states (in that order)
have consistently and persistently come 1st, 2nd and 3rd as the states
that produce the highest number of university candidates. It doesn’t
matter too that no Igbo man appears in the Forbes richest list.
Also the Nigerian comedian portrays
every Hausa/Fulani (including every Northerner) as a daft and dumb
“gworo-chewing,” dagger-loving “aboki,” who has only two types of
business: cattle-rearing and security work. Every Northerner must speak
English upside down with a ridiculous accent. Central Bank Governor,
Lamido Sanusi, who speaks English better than the English themselves, is
not a Hausa/Fulani man, neither is Alhaji Aliko Dangote, who is rated
as the richest Nigerian by Forbes. In the same vein, Alhaji Umar Ghali
Na’aba, former Speaker of the House of the Representatives, who helped
to keep former President Olusegun Obasanjo in check, is not a Hausa man,
neither is Col. Abubakar Umar, who sacrificed his career to protest the
June 12 election annulment in 1993.
In the same vein, as far as the
comedians are concerned the Warri/Benin area is peopled by only thieves
and toughies. First-time travellers to that area would actually try to
clutch their bags more closely to avoid loss. Parents would think twice
these days before naming their children Akpos. It doesn’t matter that it
is the same area that has given Nigeria some of her most prominent
pastors, media moguls, technocrats, sports men and musicians.
Everybody from Cross River and Akwa Ibom
States (described ignorantly as Calabar) must be a house boy or house
girl, or a lover of dog meat (404), and must speak with a peculiar
accent, pronouncing “J” as “Y”, while every “Calabar” woman must be a
sex machine. People like former governor Donald Duke or actress Ini Edo
and actor Desmond Eliot cannot be “Calabar” people. It doesn’t matter
that this is a region where virgins are highly regarded, a zone where
pregnancy before marriage is frowned upon seriously unlike some other
Nigerian cultures where pregnancy before marriage is no big deal.
When these tribal jokes are reeled off
on stage, we laugh and regard them as mere jokes. But the danger in them
is that unconsciously, they create a wrong picture of other ethnic
groups and make us relate with them in the light of these wrong
pictures, thereby widening the gulf that exists among the regions, and
doing serious harm on the way we relate to one another.
Such jokes and stories against the Jews
created a repugnant stereotype of the Jews that culminated in the
killing of six million Jews by the Nazis under Adolf Hitler. Centuries
before the Holocaust, people like Reformation leader, Martin Luther, had
written a treatise in 1543 entitled On the Jews and Their Lies,
denouncing the Jews and asking that they be persecuted and even killed,
while writers like William Shakespeare had created the vile character
Shylock in The Merchant of Venice. Today, especially in Europe and the
United States, any Jewish joke is not regarded as a joke but as an
anti-Semitic comment – a hate speech. Jews protest such a joke so
vehemently that the joker is made to apologize and resign his position.
In the same vein, any joke against Blacks or women is viewed as racist
and sexist respectively. Nobody accepts them in Europe and the United
States as a mere joke, because they know the harm inherent in it.
As innocuous as our ethnic jokes may
sound and appear, it is time we started protesting any time a comedian
comes on stage and starts telling such a joke. People can make jokes
about professionals: lawyers, accountants, doctors, advertising
practitioners, pastors, etc. But all jokes about ethnic regions and
religion should be discouraged and rejected. Even though such jokes make
people laugh, they are potentially dangerous and counterproductive to
national integration and cohesion.
Punch
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